Godzilla (1954 film)

Godzilla (ゴジラ Gojira) is a 1954 tokusatsu kaiju film produced by Toho, and the first installment in the Godzilla series as well as the Showa series. The film was released to Japanese theaters on November 3, 1954, and to American theaters as Godzilla, King of the Monsters! on April 27, 1956.

Responsible for launching the long-running Godzilla series as well as the genres of both kaiju eiga and tokusatsu in general, Godzilla was an incredibly successful and influential film both in Japan and internationally. The film tells the story of Godzilla, an enormous prehistoric beast roused from his ancient slumber by H-bomb testing within the South Pacific, who proceeds to get waste to Tokyo. Only the young scientist Daisuke Serizawa holds the key to possibly defeating the invincible monster, a deadly weapon of mass destruction called the Oxygen Destroyer. However, even as the destruction mounts, Serizawa fears revealing his invention to the world out of fear it will become a far worse threat to humanity than nuclear weapons.

Plot
The Japanese freighter Eiko-Maru is attacked by a flash of light from the water near Odo Island and sinks. A rescue boat, the Bingo-Maru, is sent out to investigate the accident, but meets the same fate. A second search boat is sent out and finds a few survivors in the area, and like the other two boats, is shipwrecked.

Meanwhile, on Odo Island, the natives of the fishing community are unable to catch anything. An elder says that Godzilla must be the cause. According to legend, Godzilla is a kaiju who lives in the sea that comes from the ocean to feed on mankind. Whenever fishing was poor, the natives used to sacrifice girls to prevent Godzilla from attacking the village.

Later, a helicopter carrying investigative reporters arrives on Odo Island. The natives all believe that the recent disasters in the ocean were caused by Godzilla, but the reporters remain skeptical. That night the natives perform an exorcism in hopes that Godzilla will not attack again. As the natives are sleeping, a storm hits the island, and much of the village is destroyed, as though it was crushed from above. The family of Shinkichi Yamada is killed during the storm, and Shinkichi insists they were killed by a giant monster.

The next day, the witnesses are brought to the National Diet Building in Tokyo. Paleontologist Dr. Kyohei Yamane requests that an investigative party be sent to Odo Island. A ship is sent out and arrives safely on the island. Yamane finds giant footprints contaminated with radioactivity, along with a trilobite. Suddenly, the village alarm is set off and the villagers run towards the hills. Godzilla pops his head over the hill and roars. The villagers discover that Godzilla is too large to fight and flee for their lives. Godzilla then leaves for the ocean.

Afterwards, Yamane presents his theory that Godzilla is actually a prehistoric, semi-aquatic reptile, intermediary between land and sea reptiles. He has discovered that the sediment from Godzilla's footprint contained a massive amount of Strontium-90, which could have only have come from a nuclear bomb. Thus, Yamane proposes that repeated recent hydrogen bomb testing in the South Pacific completely destroyed Godzilla's underwater habitat, irradiating him and driving him from his sanctuary. After Yamane's presentation, a man from the crowd, Mr. Oyama, suggests that the information should not be publicly known. Since Godzilla is the product of atomic weapons, the truth might cause some bad consequences, since world affairs are still fragile. However, a woman objects to Mr. Oyama's suggestion because the truth must be told. After she insults Oyama, chaos breaks loose in the Diet Building.

Godzilla's origins are then revealed to the public. An anti-Godzilla fleet is immediately sent out and uses depth charges against Godzilla, in an attempt to kill the monster. In his home, Yamane sits alone in the room with the lights out. Yamane, being a zoologist, does not want Godzilla to be killed, but rather, studied.

That night, Godzilla suddenly rises in Tokyo Bay in front of a party ship. Within a minute, the monster descends back into the ocean, but his brief appearance causes nationwide panic. The next morning, officials ask Yamane if there is a way to kill Godzilla. A frustrated Yamane explains that Godzilla has already survived a massive amount of radiation, and believes that he should be studied to see what keeps him alive.

Yamane's daughter, Emiko, is expected to marry Dr. Daisuke Serizawa, a friend and colleague of Yamane's. Emiko, however, is in love with Hideto Ogata of Southern Seas Salvage. When Emiko visits Serizawa to tell him that she loves Ogata and plans to marry him, Serizawa reveals to her his own dark secret. He had unintentionally created a device that can destroy all life in the sea while performing experiments with the element oxygen. This device is called the Oxygen Destroyer, and is more powerful than any nuclear weapon. He gives Emiko a demonstration in his lab, by using the device in a fish tank. All the fish are disintegrated, only leaving skeletons which are then liquefied as well. Shocked by this discovery, Emiko leaves Serizawa, promising not to tell anybody what she witnessed. She was unable to tell Serizawa about Ogata, or that she planned to marry him.

That night, Godzilla appears again out of Tokyo Bay and attacks Tokyo's Shinagawa ward. While the monster's attack is relatively short, it causes much destruction and death. The next morning, the Self Defense Forces hastily construct a line of 40 meter electric towers along the coast of Tokyo that will send 50,000 volts of electricity through Godzilla, should he arrive again. Civilians are then evacuated from the city and put into bomb shelters. The JSDF then prepares a blockade along the fence line.

When night falls, Godzilla surfaces from Tokyo Bay again. The monster easily breaks through the giant electric fence, with no pain inflicted. The bombardment of shells from the JSDF also has no effect. As Godzilla breaks through the high-tension wires, he uses his atomic breath to melt the electric fences. The tanks and artillery are useless against Godzilla, who continues his raid well into the night. By the end, the entire city is destroyed and thousands of innocent civilians are dead, dying, or wounded. As Godzilla wades back into Tokyo Bay, a squadron of jets fire rockets at the monster, which while they do not phase Godzilla though do manage to lead him out to sea, where he disappears beneath the waves.

The next morning, the city is in absolute ruins. Hospitals are overrun with victims, many exposed to heavy doses of radiation. As Emiko sees the many victims of Godzilla's attack, she takes Ogata aside and tells him Serizawa's dark secret, in hope that together, they can convince Serizawa do something against Godzilla.

Ogata and Emiko visit Serizawa to ask that they use the Oxygen Destroyer against Godzilla. Serizawa refuses and storms down to his basement to destroy the Oxygen Destroyer. Ogata and Emiko follow him down in order to prevent him from doing so. However, this only results in a short fight between Ogata and Serizawa, with Ogata receiving a minor head wound. As Emiko treats the wound, Serizawa apologizes. Ogata tries to convince Serizawa that he is the only one who can save the world.

Then, after the argument, a grim television program appears on the air, showing the devastation and deaths caused by Godzilla, along with prayers for hope and peace. Shocked by what he's witnessing, Serizawa ultimately decides to use his last Oxygen Destroyer, but only one time. Serizawa then proceeds to destroy his research, knowing that this weapon was almost as dangerous and destructive as Godzilla himself, and that destroying this weapon will be for the betterment of society.

The next day, the ship Shikine takes Ogata and Serizawa to plant the device in Tokyo Bay. Serizawa requests that he be put in a diving suit to make sure the device is used correctly. Ogata at first refuses, but soon gives in on the condition he accompany him. Ogata and Serizawa then descend into the water, and find Godzilla resting. Seemingly unaware of the divers, the monster slowly walks around the ocean floor. Ogata then is pulled back to the surface while Serizawa activates the Oxygen Destroyer. As Serizawa watches Godzilla dying from the destructive weapon, he cuts his cord and dies with Godzilla, sacrificing himself so that his knowledge of the horrible weapon dies with him. A dying Godzilla surfaces, lets out a final roar, and sinks to the bottom of the bay, disintegrating.

Although Godzilla is destroyed, the tone is still grim. As the people aboard the ship look to the sun and salute the sacrifice of Serizawa, Yamane suggests that it is unlikely Godzilla was the last of his species. He says that if nuclear testing continues, another Godzilla will probably appear somewhere in the world again.

Staff
TBA

Cast
TBA

Appearances
TBA

Production
With war films becoming frowned upon in Japan's film industry after World War II, Toho Studios looked for a new genre of special effects films to make. Tomoyuki Tanaka, coming back to Japan after troubled progress on an overseas production, In the Shadow of Glory, had a thought of "what if a giant monster awoke from nuclear radiation and attacked Japan, taking residence in Tokyo Bay?" While nuclear-radiated monsters started becoming popular at the time, the use in this film is due to the accident of the Lucky Dragon No. 5 fishing boat, which was unknowingly catching fish too close to the Bikini Islands when an atom bomb test was conducted.

Chosen to direct was war veteran and pacifist Ishiro Honda, who would later on direct a good half of the Godzilla series during the Showa era, along with several other science-fiction films. To handle the special effects were Eiji Tsuburaya and Yasuyuki Inoue. At the time, Tsuburaya was considered one of the greatest masters of miniature effects on film; one of his earlier World War II works (a recreation of the attack on Pearl Harbor) being mistaken for actual war footage. Tsuburaya had previous experience in the science-fiction genre with films such as Daiei's The Invisible Man Appears. He had only returned to Toho a year earlier for his work on Farewell Rabaul, a war film directed by Honda. Eiji Tsuburaya originally wanted to film Godzilla in stop motion like the then-recent American 1953 sci-fi blockbuster, The Beast from 20,000 Fathoms, and the earlier classic and personal favorite of Tsuburaya's, King Kong. However, Haruo Nakajima quoted Tsuburaya in saying that "...it would take seven years to make..." so it was decided to portray the titular monster through an actor in a suit, a style of special effects that would be popularized by this film and later known as "suitmation." The Godzilla suit was originally brown, and weighed over 200 pounds. When suit actor Haruo Nakajima tried to move in it, it took several minutes. A lighter suit was made along with a pair of suspended legs. The filming took approximately three months.

Alternate titles
TBA

Theatrical releases

 * Japan - November 3, 1954   [view poster] ; 1957 (Godzilla, King of the Monsters!)   [view poster]
 * Taiwan - December 7, 1955   [view poster]
 * United States - April 27, 1956   [view poster] ; May 7, 2004; April 18, 2014
 * West Germany - August 10, 1956   [view poster]
 * Netherlands - September 6, 1956
 * Spain - November 5, 1956   [view poster]
 * Denmark - November 26, 1956   [view poster]
 * England - December 1956   [view poster]
 * Australia - 1956   [view poster]
 * Czechoslovakia - 1956
 * Mexico - 1956   [view poster]
 * Argentina - 1956   [view poster]
 * Cuba - 1956   [view poster]
 * Sweden - January 28, 1957
 * France - March 14, 1957   [view poster]
 * Italy - July 1957   [view poster] ; 1977 (Cozzilla)   [view poster]
 * Portugal - July 24, 1957   [view poster]
 * Belgium - 1957   [view poster]
 * Poland - 1957   [view poster]
 * United Kingdom - 1957
 * Brazil - January 1958   [view poster]
 * Turkey - March 5, 1958
 * Iceland - August 30, 1958
 * South Korea - May 7, 2004
 * Czechoslovakia - 1950s
 * Thailand - 1960

U.S. release
In 1956, TransWorld Releasing Corporation and Embassy Pictures Corporation distributed Godzilla in the United States as Godzilla, King of the Monsters!. Extensively re-edited, it now featured 21 minutes of new footage, starring Raymond Burr as American journalist Steve Martin. Unlike all future Godzilla films, most of the Japanese dialogue was not dubbed, with other characters often translating conversations for Steve. Although key elements were removed from the original cut of the film, Raymond Burr added legitimacy through an American perspective to an otherwise foreign film. Godzilla, King of the Monsters! was later released in Japan under the title Monster King Godzilla (怪獣王ゴジラ Kaijū ō Gojira). This re-release was a considerable success and became popular among Japanese audiences. This style of "Americanization" through the inserting of a Western actor became commonplace in the localization of subsequent kaiju films, such as Half Human, Varan and Gamera. In 1985, when New World Pictures released The Return of Godzilla in the United States as Godzilla 1985, they chose to emulate Godzilla, King of the Monsters! and include new footage featuring American actors, including Burr, who reprised his role as Steve Martin. After years as a TV staple, Vestron released Godzilla, King of the Monsters! on VHS in 1983, with several other companies following suit over the next 15 years. It was first released on DVD by Simitar Entertainment in 1998.

For years, it was difficult to view the original Japanese version of the film in the United States. It played in Japanese-American theaters in 1955 and at New York City's Public Theater in 1982 as part of a series on Japanese film. In 2004, Rialto Pictures released the uncut Japanese version to theaters across the country, where it earned rave reviews. Classic Media released the Japanese version as Gojira on DVD in 2006, with Godzilla, King of the Monsters! included on a second disc. In 2012, Godzilla joined the prestigious Criterion Collection on DVD and Blu-ray, with both versions thoroughly restored. In 2014, Rialto brought it back to theaters. North American distribution rights to Godzilla are currently held by Janus Films, along with several other Showa Toho kaiju films.

Differences between Godzilla, King of the Monsters! and the original Japanese version of the film include:


 * The film's opening credits sequence is omitted, and replaced with a shot of the ocean's surface boiling taken from later in the film followed by Godzilla's roar and the title card. Rather than beginning with the sinking of the Eiko-Maru, the American version opens with Steve Martin narrating over the ruins of Tokyo as he lies in rubble after Godzilla's vicious rampage the previous night. Steve is taken to a hospital and speaks with Emiko Yamane, who is played by a body double alternated with close-up shots of Momoko Kochi in the role from the Japanese version. He then recalls the events which led him to this point, with the entirety of the film up until the aftermath of Godzilla's rampage presented as a flashback narrated by Steve.
 * A scene where Steve is on the plane to Japan is added before the sinking of the Eiko Maru, in which he explains through narration that he was heading for Japan to visit a college friend of his, Dr. Serizawa, who is portrayed as a famous scientist rather then a reclusive one.
 * Godzilla's roar is added when the flash of light underneath the water blinds the men on the Eiko-Maru.
 * The scene where Hideto Ogata cancels his date with Emiko is cut and replaced with Steve arriving in Japan to talk to Dr. Serizawa's assistant (a character exclusive to the American cut) and a security officer played by Frank Iwanaga who questions Steve about whether he saw the destruction of the ship. Being a reporter, Steve wants to know what is going on, and the security officer takes him to the office of the shipping company. Clips of the officer translating the Japanese speech for Steve are added to the scene where the shipping company tries to figure out what happened.
 * Kyohei Yamane is said to have been called in by the shipping company to discuss the cause of the shipping accidents. The scene of this discussion utilizes footage taken from later in the film where government officials ask Dr. Yamane about possible measures to eliminate Godzilla, and is not dubbed, with the security officer simply translating the conversation for Steve. His translation is not actually accurate to the conversation taking place, most conspicuous when Dr. Yamane says "Gojira" despite Godzilla's existence supposedly not being known at this point.
 * A scene of Steve calling his editor to tell him about the ship attacks is added after the sinking of the Bingo-Maru. During the phone call, Steve says that eight ships have been destroyed, while only two had been sunk at that point in the Japanese version.
 * In the scene where Masaji Yamada washes ashore on Odo Island, Steve's narration explains that he died, while in the Japanese version he simply passed out. This becomes a continuity error during the sequence where Godzilla comes ashore on Odo Island during a typhoon, as footage of Masaji looking up in terror as Godzilla approaches his house is retained.
 * Steve is part of the party of reporters that is dispatched to Odo Island to investigate, accomplished through shots of him inside a helicopter which is meant to be the same one carrying Hagiwara and the other members of the press. Steve and the security officer watch the exorcism ceremony on the island that night, and listen to the conversation between Hagiwara and the island elder. This conversation is not dubbed, and the officer translates it for Steve. The island elder's voice is dubbed over to add in a single word, "Gozilla." The security officer repeats the name for Steve, who mispronounces it as "Godzilla" when he asks if that is supposed to be the name of the creature the islanders believe responsible for the shipping disasters.
 * Some shots of Steve and the security officer staying in a tent and exiting it to witness the devastation are spliced into the sequence where Godzilla comes ashore on Odo Island during a typhoon.
 * The testimonies at the National Diet Building by the Odo Island residents who survived Godzilla's attack are summed up through narration by Steve. During Yamane's following speech, shots of Steve watching are added. This is followed by a scene where Steve briefly interviews Yamane, played by a body double, to ask him if he can be a part of the expedition to Odo Island, to which Yamane replies, "Of course."
 * Shots of Steve on the boat are added to the scene of the Odo Island expedition team's departure. Serizawa's presence in the scene, however, is cut, as he is said to be doing important field tests at this point.
 * The audience is introduced to Ogata and the love triangle between him, Emiko, and Serizawa through Steve narrating Ogata and Emiko's conversation on the way to Odo Island, with shots of Steve watching them spliced in.
 * Shots of Steve and the security officer are added during the Odo Island expedition and Godzilla's first appearance.
 * When Dr. Yamane discusses Godzilla in front of the assembly at the Diet, he estimates that Godzilla stands 400 feet tall, compared to 50 meters (about 164 feet) in the Japanese version.
 * The huge argument that breaks out in the assembly at the Diet is not dubbed or subtitled, leaving what exactly is being argued about unclear.
 * A scene of commuters on a train discussing having to go back to the bomb shelters in the wake of news about Godzilla is removed.
 * A scene is added where Steve first calls his editor to update him on what Godzilla is and the JSDF's depth charge attack. Afterwords he shares a brief phone conversation with Dr. Serizawa, who like Emiko and Dr. Yamane is played by a body double.
 * The specifics of the love triangle between Serizawa, Emiko, and Ogata are altered. Whereas in the Japanese version Serizawa is said to simply be in love with Emiko, who herself is in love with Ogata and only sees Serizawa like a brother, in the American version Steve explains that Emiko was betrothed to Serizawa when they were both children. Thus, in the American version, Emiko's visit to Serizawa is to break off her engagement with him rather than just to tell him that she plans to marry Ogata.
 * The scene where Emiko visits Dr. Serizawa with the reporter Hagiwara is removed. It is only revisited partially through flashback later in the film when Emiko reveals the existence of the Oxygen Destroyer, something that occurs in the original Japanese cut as well. It is stated instead by Steve through narration and Serizawa on the phone call that Emiko asked to see Serizawa herself to break off her engagement with him.
 * When Emiko tries to tell Serizawa about her relationship with Ogata, instead of starting a conversation by asking him what he is working on, she tells him that she is glad that he is back, as Serizawa was said to be doing important field tests earlier in the American cut.
 * Godzilla's roars are added when he rises from the water near a pleasure boat.
 * A montage of the JSDF's preparations is added between Godzilla's first and second attacks, narrated by Steve.
 * The scene where Emiko talks to her father as he sits alone in his study and Godzilla rising from the water near a pleasure boat happen in the Japanese version before Emiko visits Serizawa. The American cut fades from Emiko walking away from Ogata after telling him that nothing happened at Serizawa's house to the depth charge attack against Godzilla, while Dr. Yamane arriving home is moved to after the JSDF preparation montage.
 * When Emiko tells Ogata that she didn't get the chance to tell Serizawa about their relationship, Ogata says, "I understand, Emiko" instead of just giving her a reassuring nod.
 * Shots of Steve are spliced into Godzilla's first attack on Tokyo.
 * The scene where the military comes up with the plan to defend Tokyo with electric towers is narrated over by Steve. Afterwords, a scene where the security officer explains the plan to Steve, who had to leave the meeting early, is added.
 * While the electric towers surrounding Tokyo are explained to have been built between Godzilla's first and second attacks in the Japanese version, in the American version they already existed and are just charged with extra voltage. In the Japanese dialogue, the voltage is stated as 50,000 volts, while in the English dialogue it is changed to 300,000 volts.
 * The scene where Ogata attempts to ask Dr. Yamane's consent to marry Emiko, but ends up getting thrown out of the house after he argues that Godzilla should be killed instead of studied, is removed.
 * Shots of Steve recording his live report are added throughout Godzilla's arrival and second rampage through Tokyo.
 * Godzilla's pause before attacking the electric towers is extended slightly.
 * Godzilla's second rampage through Tokyo is rearranged, due to the scene where Godzilla destroys the building Steve is recording from.
 * Instead of Emiko telling Ogata what Serizawa showed her like in the Japanese version, she, Ogata, and Steve share a scene together as Steve is laying in his hospital bed where Emiko tells the two of them. Emiko's conversation with Serizawa in the flashback is not dubbed but instead narrated over by her.
 * Ogata and Serizawa's conversation about using the Oxygen Destroyer is shortened. Ogata's line, "Then you have a responsibility no man has ever faced. You have your fear, which might become reality. And then you have Godzilla, which is reality" is new to the U.S. version.
 * Serizawa's line reassuring Emiko that burning his notes is the right thing as she weeps is cut.
 * The naval ship finding Godzilla and Serizawa asking Ogata to help him place the Oxygen Destroyer is summed up by Steve through narration.
 * Shots of Steve on the naval boat are added.
 * Godzilla's death roar is changed. A variant created by Toho for the dubbing music and effects track is played over the roar heard in the Japanese track, creating a flange effect.
 * Dr. Yamane's closing speech warning that a second Godzilla may appear if nuclear testing continues is replaced by Steve narrating: "The menace was gone. So was a great man. But the whole world could wake up and live again."
 * In lieu of the removed opening credits, English-language credits are added after the film's ending, accompanied by Akira Ifukube's score.

The initial 16mm prints struck for television syndication removed the end credits, cutting from the film's last shot to the end title. An opening credit consisting of Burr's, Honda's and Terry Morse's names was inserted after the film's main title to compensate. Official versions since approximately 1983 have removed the 16mm version credit and the original end credits were reinstated with the 2006 Classic Media DVD release, although placed after the end title.

In 2018, Godzilla King of the Monsters! was broadcast on the Comet TV station with the title Godzilla. This alternate title had been the one on the fine grain print scanned for the 2012 Criterion release. In that video release, however, Criterion edited in the more familiar title from a scan of a 16mm print. It's unknown how widely seen the Godzilla version of the film was in the U.S., if at all. It was this title that was anamorphically reformatted and seen on Toho's Monster King Godzilla theatrical release.

Filipino release
People's Pictures released Godzilla in the Philippines in 1957, under the title Tokyo 1960. It appears to have been edited to a similar extent as Godzilla, King of the Monsters, with posters advertising actors Tessie Quintana, Eddie del Mar, and Zaldy Zshornack, director Teodorico C. Santos, composer Ariston Avelino, and executive producer Cirio H. Santiago. Footage of this version has yet to surface, however.

French release
In France and Belgium, a French language combination assembly of footage exclusive to the original Toho version and Godzilla, King of the Monsters! was released by Les Films du Verseau on March 14, 1957. In the dialogue, Steve Martin works for the "New York Herald" out of New York instead of United World News in Chicago. Ogata was also made a pupil of Dr. Yamane. The French version runs 92 minutes.

German release
In West Germany and Austria, a shorter German language cut of the Toho version was released by Lehmacher Film on August 10, 1956. A version distributed by Atrium Film containing a different opening credits sequence also exists. In total, 13 minutes were removed from the film.

Italian release
The first theatrical release of Godzilla, King of the Monsters! in Italy was distributed by Paramount Pictures in 1957. The film was simply titled Godzilla, and dubbed into Italian.

In 1977, a colorized version of Godzilla, King of the Monsters! directed by Luigi Cozzi was released theatrically in Italy, in advertising as Godzilla, il re dei mostri. The Italian reissue runs longer than the original King of the Monsters, inserting several minutes of stock footage from World War II newsreels and other 1950's monster movies. "Cozzilla," as it's often called, combining the last name of the movie's director and "Godzilla," was colorized using a process called "Spectorama 70" which consisted of applying various multi-colored gels to black-and-white footage. Fabio Frizzi made a cover of Prayer for Peace, which would later be the basis for the main title of Lucio Fulci's Zombi 2 and City Of The Living Dead.

United Kingdom release
Eros Films brought Godzilla, King of the Monsters! to UK theaters in February 1957, as part of a double feature with House of Dracula. It become the first of several kaiju films to receive an X rating from the British Board of Film Censors, preventing children under 16 from seeing it. In 2005, the British Film Institute became the first company to release an English-subtitled version of Godzilla on home video, with their DVD following a limited theatrical run. Sony released The Criterion Collection's Blu-ray edition of the film in 2019 as part of its Godzilla: The Showa-Era Films, 1954–1975 box set.

Box office
Godzilla had a finances of ¥60 million, with the price of advertising and prints including another ¥forty million. The movie offered 9.sixty one million tickets and grossed ¥183 million, turning into the 8th highest-grossing Japanese movie of 1954. It ranked 1/3 amongst Toho movies that year, after Seven Samurai and Samurai I: Musashi Miyamoto. Godzilla, King of the Monsters! changed into given a $25,000 hire with the aid of using Toho, which made its finances simply about $25,000 greater than the unique Japanese movie's. The movie grossed $2,000,000, making it a field workplace hit. Both movies grossed a blended overall of roughly $4,250,000.

Reception
Godzilla opened in Japan in 1954 and offered about 9.6 million tickets, gaining loads of cash for the time. While a hit, it became small in terms of different works of the equal 12 months along with Akira Kurosawa's Seven Samurai, which at the side of Godzilla have emerge as Japan's maximum well-known films. A sequel became rushed into production. In America, the movie became re-edited with delivered pictures of Canadian/American actor Raymond Burr gambling reporter Steve Martin and retitled Godzilla, King of the Monsters!. In America, it became additionally greater a hit than anticipated. The re-edited model of the movie could be proven in lots of European and Latin American territories and won Godzilla an unheard of target target market which has considering made the monster an icon as recognizable as Superman. Its field workplace income have been 152 million Yen ($2.25 million). For the German theatrical model thirteen mins of the movie have been reduce, reducing out Dr. Kyohei Yamane's go back to Japan, shortening his speech and presentation of what Godzilla is and shortening the very last scene. This model became used for all domestic video releases of the movie. The uncut director's reduce became now no longer launched till 2004, while it regarded in a unique fiftieth anniversary field set through Splendid Film, at the side of the German model and for the primary time ever the United States model, plus a  disc version of Final Wars. Godzilla became then made to be had as an man or woman launch. In the U.S. and Canada, Classic Media launched Godzilla in 2006 as a part of its 'Master Collection'; this launch became a - disc set, with one disc being the Japanese authentic model and the alternative being the American model with Raymond Burr In the 1977, the movie became re-launched in Italy in a crudely colorized model with clips of Rodan, Godzilla Raids Again and World War II pictures delivered. This model and its edits have been now no longer well-obtained and it became most effective proven on tv some times. The colorized model, nicknamed "Cozzilla," has considering been very rare.

Video releases
Simitar DVD (1998)


 * Region: 1
 * Discs: 1
 * Audio: English (1.0 Mono, 5.1 Surround)
 * Subtitles: None
 * Special features: Optional 1.85:1 presentation (cropped), Simitar-produced trailers for the company's kaiju releases, art gallery, trivia game, Sci-Fi Monsters Documentary
 * Notes: Out of print.

Toho DVD (2001)


 * Region: 2
 * Discs: 1
 * Audio: Japanese (2.0 Mono)
 * Subtitles: Japanese
 * Special features: Audio commentary by Akira Takarada, isolated music and sound effects track, isolated score, Akira Ifukube interview, cast profiles, trailer

Classic Media DVD (2002)


 * Region: 1
 * Discs: 1
 * Audio: English (2.0 Mono, 5.1 Surround)
 * Subtitles: None
 * Special features: Godzilla: Destroy All Monsters Melee trailer
 * Notes: Out of print.

Madman DVD (2004)


 * Region: 4
 * Discs: 1
 * Audio: Japanese (Dolby Digital 5.1), English
 * Subtitles: English
 * Special features: Japanese trailer, Godzilla: Save the Earth trailer, Godzilla Against Mechagodzilla trailer and The Hidden Fortress trailer
 * Notes: Also included in "Godzilla - Showa Classics Vol 1," with Mothra vs. Godzilla, Invasion of Astro-Monster, Ebirah, Horror of the Deep, Son of Godzilla, and Destroy All Monsters.

Classic Media DVD (2006)


 * Region: 1
 * Discs: 2
 * Audio: Japanese (2.0 Mono), English (2.0 Mono)
 * Subtitles: English
 * Special features: Two audio commentaries by Steve Ryfle and Ed Godziszewski (one for each version of the film), 12-page booklet, Japanese and U.S. trailers, two 13-minute featurettes (Godzilla Story Development and Making of the Godzilla Suit)
 * Notes: Also included in a set called "The Godzilla Collection." Reissued in 2014 without booklet. Both releases are out of print.

BFI DVD (2006)


 * Region: 2
 * Discs: 1
 * Audio: Japanese (2.0 Mono)
 * Subtitles: English
 * Special features: Audio commentary by Steve Ryfle, Ed Godziszewski, and Keith Aiken, Japanese and U.S. trailers, three featurettes (The Japanese Fishermen, Designing Godzilla, and Story Evolution), galleries of posters, storyboards, and stills/sketches, booklet

Toho Blu-Ray (2009)


 * Region: A/1
 * Discs: 1
 * Language: Japanese (2.0 Mono)
 * Subtitles: Japanese
 * Special features: Audio commentary by Akira Takarada, isolated music and sound effects track, Akira Ifukube interview, cast profiles, trailers, score performed by live orchestra, large stills gallery
 * Notes: English subtitles are not included.

Classic Media Blu-ray (2009)


 * Region: A/1
 * Discs: 1
 * Audio: Japanese (2.0 Mono)
 * Subtitles: English
 * Special features: Audio commentary by Steve Ryfle and Ed Godziszewski, 12-page booklet, trailers, two 13-minute featurettes (Godzilla Story Development and Making of the Godzilla Suit)
 * Notes: Presents the film in the unusual aspect ratio of 1.47:1. Out of print.

The Criterion Collection DVD / Blu-ray (2012)


 * Region: 1 (DVD) or A/1 (Blu-ray)
 * Discs: 2 (DVD) or 1 (Blu-ray)
 * Audio: Japanese (1.0 Mono), English (1.0 Mono)
 * Subtitles: English
 * Special features: Two audio commentaries by David Kalat (one for each version of the film), interviews with Akira Ifukube, Akira Takarada, Haruo Nakajima, Yoshio Irie and Eizo Kaimai, and Tadao Sato, two 9-minute featurettes (The Unluckiest Dragon and Godzilla Photography)
 * Notes: The Blu-ray is also included in Criterion's 2019 box set Godzilla: The Showa-Era Films, 1954–1975. Sony distributed a Region B/2 version of the set in the United Kingdom.